GLOSSARY
POSTURES & MOVEMENTS
| AI-HANMI | Stance where the Nage and Uke are both standing with either both right feet or both left feet forward. |
| ATEMI | Strikes to the body at vulnerable points.Used in techniques to distract or unbalance the attacker and thereby increase the effectiveness of a technique |
| GYAKU-HANMI | A mirror hanmi stance where the Uke and Nage have different feet forward (Uke has left foot forward and Nage has the right foot forward or visa versa) |
| HANMI | A triangular stance where one foot is in front and pointing forward and the rear foot is placed perpendicular to the front foot. |
| HITO-E-Mi | An entering move in which Nage slides forward on the front foot and then performs the tenkai reversal (see below), so that Nage is standing at Uke’s back in the same hanmi stance (right or left) as Uke is. |
| JIYU-WAZA | “Free-style” techniques performed usually with one Uke and usually with a pre-decided attack. |
| KAITEN | Forward Step-Pivot |
| KEN-AWASE | Paired exercises in which basic use of the sword is emphasized |
| KOKYU-DOSA | A breathing exercise |
| KOKYU-HO | Breathing exercise usually done at the end of a practice session either seated or standing. |
| OMOTE | Front or in front of, used to describe techniques executed by moving across Uke’s front |
| RANDORI | Free-style exercise where two or more Uke attack the Nage using any attack of their choice. |
| SEIZA | Formal Japanese way of sitting on the floor with one sitting with knees pointed forward and rear end on one’s feet and ankles. |
| SHIKKO | Walking on one’s knees. |
| SUWARI-WAZA (ZAGI) | Techniques where both Nage and Uke are seated in seiz |
| TENKAI | Pivoting on the balls of the feet in hanmi.One reverses direction and switches hanmi stances.In other words, if one is standing in a right stance prior to tenkai, one is standing in a left stance after tenkai. |
| TENKAN (TAI-NO-HENKO) | A turn in which the back leg of the hanmi stance is pulled back 180 degrees to reverse one’s direction.Unlike tenkai, one’s stance is the same as before the move, but one is facing the opposite direction. |
| UKEMI | Tumbling or breakfalls. |
| URA | Rear or in back of, used to describe techniques executed by moving around behind the Uke |
| USHIRO-WAZA | Defenses to attacks from the rear |
GLOSSARY OF WORDS OF ATTACK
Attack
Form |
Description |
|
Uchi |
inside |
|
Soto |
outside |
|
Omote |
in front |
|
Ura |
behind |
|
Hamni-Handachi |
uke standing, nage sitting seiza |
|
Jotori |
jo techniques |
|
Katatetori |
one hand grab to wrist |
|
Katatori |
one hand grab to collar |
|
Morotetori |
two hands grab to one wrist |
|
Ryotetori |
both hands grab one wrist |
|
Shomenuchi |
strike to forehead |
|
Suwariwaza |
techniques from sitting seiza |
|
Tachitori |
attack with boken or standing techniqu |
|
Tantotori |
attack with knife |
|
Tsuki |
thrust or punch |
|
Ushiro Kubishime |
choke from behind with free hand grabbing
wrist |
|
Ushiro Ryokatori |
both shoulders grabbed from behind |
|
Ushiro Tekubitori |
both wrists grabbed from behind |
|
Ushiro Waza |
any attack from behind |
|
* Uchi & Soto Mawari |
both the inside (uchi) and outside (soto) movements or variations. |
|
** Henka-waza |
techniques where the nage (thrower) switches from one technique to another technique. Examiner will call the first (or starting) technique. |
|
***Kaeshi-waza |
counter techniques. Uke (attacker) applies the technique to nage.Then nage counters with the appropriate counter. Original techniques (for uke) will be called by the examiner. (E.g., to apply sankyo against nikkyo). |
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